# Claymation Video Generator Hand-moulded plasticine on a miniature set, fingerprints and all, from a line of text. Canonical page: https://www.veedio.co/tools/claymation-video-generator Search intent: Wants the stop-motion clay look — warm, handmade, slightly imperfect — for a small human story. ## What it produces - 5 to 8 scenes, each with one spoken line and one generated frame - A minute by default; 30, 60, 90 or 180 seconds are selectable in the composer (free accounts up to 60s, paid plans to 180s). Scene length comes from the narration's true duration - ElevenLabs voiceover: 5 voices, narrating in any of 29 languages - Word-timed captions burned in from the voice model's own character alignment - A licensed music bed, ducked under the narration, loudness-normalised master - 9:16, 1:1 or 16:9, 1080-class, no watermark on any plan ## Preset applied on this page - Source type: prompt - Voice: elli - Captions: subtle - Music: lofi - Visual style: clay - Aspect ratio: 9:16 ## The brief this page adds, verbatim This string is prepended to whatever the visitor types before the scriptwriter sees it — in the free preview on this page, in the video you generate after clicking through to the composer, and in the API when you send `preset: "claymation-video-generator"`. It is the only difference between this page and the others. > Write this as a small, warm, human story, the length of an anecdote rather than an argument. Stay with one person and one place for the whole video and describe habits and small physical details — a kettle, a gate, a particular door — because each of those becomes a miniature set. Keep the narration gentle and unhurried, and end on an observation rather than a moral. ## Example inputs from the page - A postman who has delivered to the same street for thirty years and knows which doors to knock softly - The café that keeps a regular’s cup on the shelf long after they stop coming in - A lock keeper who has never seen the canal frozen twice in the same place ## Free with an account The widget on the page runs the real scriptwriter with this preset and returns the script, the per-scene image prompts and the estimated runtime. That needs a free account — it takes a moment and no card — and costs no credits. Rendering the visuals, voiceover and final file does spend credits, and signup comes with 60 of them (about 4 videos). ## How it works 1. **Tell it about one person** — A habit, a street, a routine. Small human subjects are what this look was made for. 2. **A miniature set per scene** — Plasticine figures with visible fingerprints on a hand-built set, warm practical light, shallow focus. 3. **Soft read, small captions** — A gentle storytelling voice over a lo-fi bed, with unobtrusive captions timed to the words. ## The fingerprints are the point The style suffix asks for visible fingerprints in the plasticine, and that is the single most load-bearing word in it. A clay frame that comes back perfectly smooth has failed: smooth clay looks like a 3D render with a matte material on it, and the entire appeal of this look is the evidence that a hand was involved. It is also the most useful thing this preset does commercially. The commonest complaint about generated video is that it looks generated; a frame whose texture is thumbprints and tool marks is the furthest thing on this site from that complaint, which is why it is worth regenerating a scene that comes back too clean. ## A handmade look asks for a small story Claymation has a native scale, and it is domestic. A kitchen, a street, a corner shop, one person with a routine — those are the things a miniature set can hold, and they are the things this brief pushes the script towards. A subject that spans a continent gets flattened into a generic landscape and the look stops doing anything. So the direction handed to the writer is unusually restrictive for this page: one person, one place, habits and physical details rather than argument, and a closing observation instead of a lesson. The result is closer to a short read-aloud story than to a short-form explainer, which is what the style is good at. ## It is a clay look, not stop-motion, and the difference is honest to state Real claymation is shot a frame at a time, which is why a two-minute film takes a studio months and why the medium is so admired. This pipeline does none of that: it generates a still image of a clay set per scene and moves a virtual camera slowly across it, then cuts to the next one on the narration. That means no walk cycles, no moulded mouth shapes, no lip sync, and a figure that changes a little between scenes because each frame is generated independently. Keep the character in mid-shot rather than close-up and the drift reads as the handmade variation the look is already promising. ## Who it is for - **Story and anecdote channels** — A look that makes a small domestic story feel deliberately made. - **Children’s storytellers** — The register a read-aloud already has, without a set or a camera. - **Local and community brands** — Warm and handmade, which is what a small business usually is. - **Writers with a short piece** — Frames that suit an anecdote rather than illustrating an argument. ## Compared with making it the usual way | | The usual way | With Veedio | | --- | --- | --- | | Input | Sculpt the figures, build the set, and shoot twelve frames for every second. | One anecdote in a sentence. The clay and the fingerprints arrive with every frame. | | Visuals | A studio quotes a stop-motion short in months, and a dropped figure costs a day. | A miniature clay set generated per scene, regenerated free when one comes back too smooth. | | Voiceover | Record the read first, then animate the mouths to it, a frame at a time. | A soft storytelling voice over the finished scenes, re-read for nothing when the line changes. | | Captions | Auto-captions that drift, then an hour nudging keyframes. | Burned in from the voice model’s own word alignment, so they land on the syllable. | | Turnaround | Days, and most of it waiting on someone else. | About a minute, and you watch it fill in scene by scene. | | Changing it | Re-record the line, re-cut the timeline, re-export, re-upload. | Edit the line and regenerate that one scene. Regenerating a scene is free. | ## FAQ ### Is this real stop-motion? No. It is a generated still of a clay set per scene with a slow camera move on it. Real claymation is shot a frame at a time over months; saying otherwise would be claiming a craft this pipeline does not have. ### Why do the captions default to small? Because the miniature set is the thing worth looking at and a big block of text covers it. Bold and highlight captions are both one dropdown away if your feed needs the louder option. ### The frames came back smooth and shiny. Is that right? No — regenerate them. Visible fingerprints and tool marks are what separate this look from a plain 3D render, and a scene without them has lost the only thing it was for. Regenerating a scene costs nothing. ### Can the same character appear all the way through? Roughly. Each frame is generated on its own so the figure varies a little between scenes. In this style that variation reads as handmade rather than broken, provided you keep the figure in mid-shot rather than close-up. ### Is there lip sync? None. Nothing in the pipeline animates a mouth to the narration, in any style. The voice plays over the scenes and the captions carry the words. ### What do I need to try it? A free account and no card. Writing the script and seeing the shot list costs no credits at all; rendering it into a file spends from the 60 credits the account starts with. ### Do I have to sign up to try this? Yes, a free one. Signup takes a moment and needs no card. Once you are signed in, the box at the top writes the script and the shot list for no credits — that is the part that decides whether the video is worth making — and rendering it into a file uses the 60 free credits the account starts with, about four videos. ### What does it cost after the free credits? Starter is $19 a month, Pro $49, Studio $149. A credit is a unit of pipeline cost rather than a video, so a five-scene short costs less than a nine-scene one, and you see the estimate before you spend anything. ### Do I own the videos, and is there a watermark? You own them, on every plan including the free credits, and there is no watermark on any plan, no resolution cap and no platform withheld. Four things do follow the plan, because they are what a video costs to make: AI motion and sound effects need Starter, a presenter avatar and the choice of video model need Pro, and a free account tops out at a minute where paid plans go to three. 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