Script free with an account·render in about a minute·no watermark on any plan
3D Animation Video Generator
Soft-lit 3D renders, one per scene, generated from a line of text.
Start free — no credit card, and the script and the shot list cost no credits.
01Say what it is about. Concrete things — objects, characters, spaces — get the most out of this look.
02A render per scene. Soft studio lighting, clean composition, vibrant colour, from each line’s own prompt.
03Bright read, bold captions. An energetic voice with captions burned from its own word timings.
Voice:
Bella
Captions:
Bold
Music:
Uplifting
Format:
Vertical 9:16
What comes out
The settings this page ships with, and the shape they produce
Every example on this page is labelled with the exact configuration behind it, including the one that says it is a drawing.
Layout mock-up
A robot vacuum that has mapped the house better than anyon…
Style: 3D render
Voice: Bella
Captions: Bold
Ratio: 9:16
A mock-up of the frame and caption layout at this page’s settings — TikTok, Reels and Shorts, uplifting music bed. It is a drawing, not a rendered video: we have no published render library to show you yet, and a stock clip dressed up as our output would be worth less than saying so.
Your input
“A robot vacuum that has mapped the house better than anyone living in it”
Plus this page’s brief, verbatim
Write this for a bright 3D-rendered short. Keep every scene anchored to a physical object, character or space, because each line becomes a rendered frame and an abstraction gives the renderer nothing to build. Simple, warm language, one idea per scene.
That string is not marketing copy — it is the instruction the script writer is given before it reads a word of yours, and it is the only thing separating this page from the other forty-seven.
The shape that comes back
Scene 1 — the hook
One line that works with no context, because the viewer arrived mid-scroll.
Scenes 2–6 — the body
One idea each, one or two spoken sentences, each with its own image prompt and its own duration.
Final scene — the close
A line that lands the point rather than asking for a follow.
Per scene — the shot
The exact image prompt the model would receive, with this page’s style suffix already appended.
This is the structure, not a saved example. The box at the top of the page writes the real one — with your wording, in about ten seconds, free once you sign in.
5–8 scenes
each with its own line, its own frame and its own length
Under 60s
cut to the narration, not to a fixed per-scene timer
Word-timed
captions burned from the voice model’s own alignment
1080-class
vertical, square or landscape — no watermark on any plan
01
Rendered frames, not an animation pipeline
What this produces is a sequence of 3D-rendered still frames with a slow move on each and hard cuts between them. There is no rigging, no keyframing and no lip sync, and calling it “3D animation” without that sentence attached would be selling something we do not have.
Where that distinction matters is characters. A recurring character will not hold its design across scenes, because each frame is generated on its own. Videos built around objects, spaces and situations hold together; videos built around a mascot do not.
02
Why this look explains things well
A render strips a frame down to the things the modeller decided to put in it. That is a huge advantage for an explanation: a photograph of a battery contains a thousand irrelevant details, and a rendered cutaway contains the four that the sentence is about.
It is the same reason children’s books and technical marketing both reach for this style: they are both trying to make one specific thing legible in a single glance, and a photograph makes you hunt for it. Less in the frame means more attention left over for the line being spoken across it.
03
What it will not draw
It will not produce labelled technical diagrams — the image model invents plausible-looking text, and a diagram with invented labels is worse than no diagram. Keep the explanation in the narration and the captions.
It also will not reproduce a named studio’s style or characters, and you should not ask it to. What you get is the general rendered look: soft studio light, clean shapes, vibrant colour.
Who this is for
Four people this was built for
Explainer channels
The look that lets a complicated object be shown simply.
Kids and family content
Bright, clean and legible, which is what that audience already expects.
Product and concept marketing
A rendered frame abstracts away the interface and keeps the idea.
Science and engineering accounts
Mechanisms illustrated rather than photographed, in one consistent style.
Compared
What this replaces
Six things somebody has to arrange to make one short, and who arranges them.
Input
The usual way: A script, a storyboard, a 3D artist and a two-week turnaround.
With Veedio: A sentence. The lighting, the palette and the render style are already decided.
Visuals
The usual way: Motion graphics quoted per second, or clip art that does not match itself.
With Veedio: A rendered frame per scene in one lighting setup, generated from that scene’s line.
Voiceover
The usual way: Book a VO artist, or record yourself and cut the breaths out.
With Veedio: Five ElevenLabs voices, re-recorded free whenever the line changes.
Captions
The usual way: Auto-captions that drift, then an hour nudging keyframes.
With Veedio: Burned in from the voice model’s own word alignment, so they land on the syllable.
Turnaround
The usual way: Days, and most of it waiting on someone else.
With Veedio: About a minute, and you watch it fill in scene by scene.
Changing it
The usual way: Changing a line means re-rendering the scene it belongs to and re-timing the two either side.
With Veedio: Rewrite the line, regenerate that frame. It costs nothing and nothing else moves.
The usual way
With Veedio
Input
A script, a storyboard, a 3D artist and a two-week turnaround.
A sentence. The lighting, the palette and the render style are already decided.
Visuals
Motion graphics quoted per second, or clip art that does not match itself.
A rendered frame per scene in one lighting setup, generated from that scene’s line.
Voiceover
Book a VO artist, or record yourself and cut the breaths out.
Five ElevenLabs voices, re-recorded free whenever the line changes.
Captions
Auto-captions that drift, then an hour nudging keyframes.
Burned in from the voice model’s own word alignment, so they land on the syllable.
Turnaround
Days, and most of it waiting on someone else.
About a minute, and you watch it fill in scene by scene.
Changing it
Changing a line means re-rendering the scene it belongs to and re-timing the two either side.
Rewrite the line, regenerate that frame. It costs nothing and nothing else moves.
Related tools
Same engine, different preset
Twenty more pages over the same pipeline. Each one is a different brief, a different look and a different page — and each one prints its brief the way this one does.
No. It is a sequence of 3D-rendered still frames with a slow move on each and hard cuts between them. No rigging, no keyframes, no lip sync — and we would rather say that here than after you have paid.
Can I keep the same character throughout?
Not reliably. Each frame is generated independently so a character drifts between scenes. Build the video around objects and situations instead.
How is this different from the cartoon preset?
The cartoon page uses the same rendered style with a lighter, more playful brief aimed at younger viewers. This one is the general 3D look, with the brief pointed at objects and mechanisms.
Can it draw a labelled diagram?
No. Generated text inside an image comes back as convincing nonsense. The explanation belongs in the narration and the captions.
Can I use it for a landscape video?
Yes — 16:9 and 1:1 are both available alongside 9:16, on every plan.
Is the script free?
Yes, with a free account: the box at the top writes the script, the scene split and the image prompts for no credits. Rendering is what spends them.
Do I have to sign up to try this?
Yes, a free one. Signup takes a moment and needs no card. Once you are signed in, the box at the top writes the script and the shot list for no credits — that is the part that decides whether the video is worth making — and rendering it into a file uses the 60 free credits the account starts with, about four videos.
What does it cost after the free credits?
Starter is $19 a month, Pro $49, Studio $149. A credit is a unit of pipeline cost rather than a video, so a five-scene short costs less than a nine-scene one, and you see the estimate before you spend anything.
Do I own the videos, and is there a watermark?
You own them, on every plan including the free credits, and there is no watermark on any plan, no resolution cap and no platform withheld. Four things do follow the plan, because they are what a video costs to make: AI motion and sound effects need Starter, a presenter avatar and the choice of video model need Pro, and a free account tops out at a minute where paid plans go to three. Everything else — every voice, every language, every caption style, every aspect ratio — is the same on all of them.