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Toolbox Talk Video Generator
A toolbox talk for the crew before the work starts — the task, the hazard, the controls, the question — narrated and captioned for a phone on site.
01Type the topic. Working at height, dust, manual handling, plant movements. Add the controls your site uses.
02Check the talk. The script comes back before anything renders, so whoever signs off health and safety reads it first.
03Send it to the crew. Vertical for phones and captioned for a noisy site; landscape for the site-office screen.
Voice:
Josh
Captions:
Bold
Music:
No music
Format:
Vertical 9:16
What comes out
The settings this page ships with, and the shape they produce
Every example on this page is labelled with the exact configuration behind it, including the one that says it is a drawing.
Layout mock-up
Working at height on scaffold: checking the tag before you…
Style: 3D render
Voice: Josh
Captions: Bold
Ratio: 9:16
A mock-up of the frame and caption layout at this page’s settings — TikTok, Reels and Shorts, no music music bed. It is a drawing, not a rendered video: we have no published render library to show you yet, and a stock clip dressed up as our output would be worth less than saying so.
Your input
“Working at height on scaffold: checking the tag before you climb”
Plus this page’s brief, verbatim
Write a toolbox talk for a construction or trades crew, delivered on site before work starts. Open on the task the crew is about to do, name the hazard in plain words, give the controls in the order a worker would use them, and close with one question the foreman can ask the crew. Short sentences, practical, no jargon a new starter would not know, no scare tactics. Use only the controls, regulations, figures and site details the user gives; never invent a statistic, a regulation, a legal requirement or an incident.
That string is not marketing copy — it is the instruction the script writer is given before it reads a word of yours, and it is the only thing separating this page from the other forty-seven.
The shape that comes back
Scene 1 — the hook
One line that works with no context, because the viewer arrived mid-scroll.
Scenes 2–6 — the body
One idea each, one or two spoken sentences, each with its own image prompt and its own duration.
Final scene — the close
A line that lands the point rather than asking for a follow.
Per scene — the shot
The exact image prompt the model would receive, with this page’s style suffix already appended.
This is the structure, not a saved example. The box at the top of the page writes the real one — with your wording, in about ten seconds.
5–8 scenes
each with its own line, its own frame and its own length
Under 60s
cut to the narration, not to a fixed per-scene timer
Word-timed
captions burned from the voice model’s own alignment
1080-class
vertical, square or landscape — no watermark on any plan
01
A toolbox talk the crew can watch on their phones
Toolbox talks happen at the tailgate, in the welfare cabin or on the slab, usually read off a printed sheet by someone who would rather be working. The talk lands better when the crew can see what is being described, and better again when the person delivering it has something to point at instead of a page to read.
This turns a topic into a narrated, captioned video in the vertical shape a phone plays full screen, so it can be shown on a site phone or sent to the crew’s group chat before the shift. The captions are burned in, because a site is loud, and a landscape version for the screen in the site office is one switch in the composer.
02
Your controls, your method statement, your sign-off
The scriptwriter does not know your site, your method statement or the rules where you work, and it is told never to invent a regulation, a figure or an incident. Type the controls from your risk assessment — the exclusion zone, the permit, the mask your site specifies, the spotter for the reversing plant — and the talk is built around them.
A video does not replace the talk, the sign-in sheet or the training your site requires; it gives the talk something to start from. Keep recording attendance the way you do now, keep the conversation after the video, and have the person who owns health and safety read the script before it is played. It comes back for review before anything renders.
03
One voice every week, and the honest limit on accents
Keep the voice, the look and the caption style fixed and change only the topic, and a season of talks reads as one series the crew recognizes. Every paid plan makes videos of 30 seconds, one minute, 90 seconds or three minutes; a longer video has more scenes and costs more credits, and you see the price before you generate.
The 5 voices are American English. There is no British, Irish or Australian voice, and we would rather say so here than after you have paid. Talks can also be narrated in Spanish, Polish, Romanian and the rest of the 29 languages, chosen in the composer, for crews whose first language is not English — and the captions follow the narration.
Who this is for
Four people this was built for
Site managers and foremen
This week’s talk ready before Monday, built around the controls already in your risk assessment.
Health and safety advisers
A library of talks for every site you cover, each one reviewed once and reused.
Trades contractors
Electricians, roofers, scaffolders and groundworkers with a talk to give and nobody to write it.
Multilingual crews
The same talk narrated and captioned in Spanish, Polish or Romanian.
Compared
What this replaces
Six things somebody has to arrange to make one short, and who arranges them.
Input
The usual way: A printed sheet from the site binder, read out at the tailgate.
With Veedio: One topic, with your site’s controls, typed in a box.
Visuals
The usual way: None, or a laminated photo nobody at the back can see.
With Veedio: An illustrated scene per step, in one clean look.
Voiceover
The usual way: Whoever drew the short straw, reading it cold.
With Veedio: A steady narrated read, re-recorded free whenever a line changes.
Captions
The usual way: Auto-captions that drift, then an hour nudging keyframes.
With Veedio: Burned in from the voice model’s own word alignment, so they land on the syllable.
Turnaround
The usual way: The hour before the talk, if it gets written at all.
With Veedio: Minutes, and on the crew’s phones before the shift.
Changing it
The usual way: Re-record the line, re-cut the timeline, re-export, re-upload.
With Veedio: Edit the line and only its voice is re-recorded, free. A new still is free too; a new motion clip is free once per video.
The usual way
With Veedio
Input
A printed sheet from the site binder, read out at the tailgate.
One topic, with your site’s controls, typed in a box.
Visuals
None, or a laminated photo nobody at the back can see.
An illustrated scene per step, in one clean look.
Voiceover
Whoever drew the short straw, reading it cold.
A steady narrated read, re-recorded free whenever a line changes.
Captions
Auto-captions that drift, then an hour nudging keyframes.
Burned in from the voice model’s own word alignment, so they land on the syllable.
Turnaround
The hour before the talk, if it gets written at all.
Minutes, and on the crew’s phones before the shift.
Changing it
Re-record the line, re-cut the timeline, re-export, re-upload.
Edit the line and only its voice is re-recorded, free. A new still is free too; a new motion clip is free once per video.
Related tools
Same engine, different preset
Twenty more pages over the same pipeline. Each one is a different brief, a different look and a different page — and each one prints its brief the way this one does.
A short safety moment for the start of a meeting or a shift — one hazard, one ordinary scene, one thing to do differently — narrated and captioned for the screen in the room.
Welcome videos, first-week walkthroughs and how-we-work explainers for new hires — from your own notes, narrated and captioned in a bright explainer look.
Short, plain-language videos that explain a visit, a prep or an aftercare routine to patients — for the waiting room, the patient portal or a text after the appointment.
A morning message for the class to watch together — good morning, one idea for the day, a question to share — narrated and captioned for the board at the front of the room.
The school’s morning announcements as a short video for every classroom screen — the day, the lunch menu, what is on after school — narrated and captioned before first bell.
Classroom rules and routines as a short, friendly video — what to do, where and why — for the first week of school and every time a routine needs teaching again.
A calm, illustrated social story that walks a child through a situation before it happens — a haircut, a fire drill, a new school — read slowly, with captions and no music.
A Bible story told simply for children, in bright cartoon frames — Noah, Jonah, David, the lost sheep — narrated warmly with captions, and faithful to the passage.
This week’s Sunday school lesson as a short video — the big idea, the story, the memory verse and a question for the class — for kids’ church, small groups and VBS.
It is a way to deliver one, not a replacement for it. It does not record attendance, meet a training requirement on its own or replace your risk assessment, your induction or the conversation afterwards. Keep your sign-in sheet, and let the person giving the talk take the questions.
Will it know the regulations where we work?
No. It does not read HSE, OSHA or Safe Work Australia guidance, and it is told never to invent a regulation or a figure. Type the rule or the control you want said and it will use it; have whoever owns health and safety check the script before it is played.
Can the voice be British or Australian?
The 5 voices are American English. There is no British, Irish or Australian voice, and we would rather say so here than after you have paid. The captions carry every word either way.
Can it be in Spanish or Polish?
Yes. The narration and captions can be in any of 29 languages, Spanish, Polish and Romanian included, chosen in the composer.
What does a year of weekly talks cost?
Plans are monthly: Mini $7 (200 credits), Starter $19 (600 credits), Pro $49 (2,000 credits), Studio $149 (7,500 credits). A five-scene short in pictures costs 13 credits; with AI motion in every scene it costs 68. You see the price before you generate, and the first payment on any plan has a 7-day money-back guarantee. Mini ($7 a month, 200 credits) covers about 15 five-scene shorts in pictures, or about 2 with AI motion in every scene.
Can I use a talk we have already written?
Yes. The composer’s Script tab keeps your words and cuts them into scenes, and its Link tab reads a PDF you upload. This page’s brief applies only to the Prompt tab, so a pasted script is narrated as written.
Will it show our site or our crew?
No. Every scene is generated from the script, so it shows an illustrative scaffold or cutting station, never your site or your people. One photo of your site can be the opening frame, added in the composer.
Do I have to sign up to try this?
Yes, a free one. Signup takes a moment and needs no card. Once you are signed in, the box at the top writes the script and the shot list for no credits — that is the part that decides whether the video is worth making.
What does it cost?
Starter is $19 a month for 600 credits, Pro $49, Studio $149. A credit is a unit of pipeline cost rather than a video, so a five-scene short costs less than a nine-scene one, and you see the estimate before you spend anything.
Do I own the videos, and is there a watermark?
You own them, on every plan, and there is no watermark on any plan, no resolution cap and no platform withheld. Four things do follow the plan, because they are what a video costs to make: AI motion and sound effects need Starter, and a presenter avatar and the choice of video model need Pro. Everything else — every voice, every language, every caption style, every aspect ratio — is the same on all of them.