Script free with an account·render in about a minute·no watermark on any plan
Faceless Video Generator
A whole channel’s worth of video with no camera, no room and nobody on screen.
Start free — no credit card, and the script and the shot list cost no credits.
01Pick the subject. One line. The narrator has never met you, and does not need to.
02Narration and frames together. Each scene is a spoken line plus the single image that goes behind it, generated from that line.
03Post without ever appearing. Vertical, captioned, voiced. Publish to TikTok, Reels and Shorts from the same screen.
Voice:
Adam
Captions:
Bold
Music:
Cinematic
Format:
Vertical 9:16
What comes out
The settings this page ships with, and the shape they produce
Every example on this page is labelled with the exact configuration behind it, including the one that says it is a drawing.
Layout mock-up
Strange laws that are still technically on the books
Style: Cinematic
Voice: Adam
Captions: Bold
Ratio: 9:16
A mock-up of the frame and caption layout at this page’s settings — TikTok, Reels and Shorts, cinematic music bed. It is a drawing, not a rendered video: we have no published render library to show you yet, and a stock clip dressed up as our output would be worth less than saying so.
Your input
“Strange laws that are still technically on the books”
Plus this page’s brief, verbatim
Write this for a faceless channel. Nothing may depend on a presenter: no gestures, no on-camera references, no first-person anecdotes that require a face to be believed. The narration carries everything, and every scene must be describable as a single image.
That string is not marketing copy — it is the instruction the script writer is given before it reads a word of yours, and it is the only thing separating this page from the other forty-seven.
The shape that comes back
Scene 1 — the hook
One line that works with no context, because the viewer arrived mid-scroll.
Scenes 2–6 — the body
One idea each, one or two spoken sentences, each with its own image prompt and its own duration.
Final scene — the close
A line that lands the point rather than asking for a follow.
Per scene — the shot
The exact image prompt the model would receive, with this page’s style suffix already appended.
This is the structure, not a saved example. The box at the top of the page writes the real one — with your wording, in about ten seconds, free once you sign in.
5–8 scenes
each with its own line, its own frame and its own length
Under 60s
cut to the narration, not to a fixed per-scene timer
Word-timed
captions burned from the voice model’s own alignment
1080-class
vertical, square or landscape — no watermark on any plan
01
Faceless is a production constraint, not a genre
A faceless video has one rule: nothing in the script may need a person on screen to work. That rules out more than it sounds like — gestures, reaction beats, anything that says “look at this” while pointing, and first-person stories whose credibility comes from watching someone tell them.
This preset enforces that rule at the script stage rather than discovering it at the render. Every scene has to be describable as a single still image, because a single still image is exactly what it is going to get.
02
Why generated frames beat a stock library
The usual faceless workflow is a stock subscription and twenty minutes per video searching for a clip that roughly matches line four. The result is footage that half your niche is also using, and a video where the picture is adjacent to the words rather than about them.
Here the frame is generated from the line it sits under, in the visual style you chose, so it is about that line and nothing else. Stills get a slow Ken Burns move so nothing sits frozen, and where a short clip generates cleanly it is used instead.
03
The one honest limitation
Consistent characters across scenes are not something this does. Each frame is generated independently, so a recurring person will not look the same in scene two as in scene five.
For the formats faceless channels actually run — facts, history, explainers, lists, atmosphere — that does not matter, because those videos are about subjects rather than about a character. If your format needs the same face in every shot, this is the wrong tool and we would rather say so before you spend a credit.
Who this is for
Four people this was built for
New channel operators
You want to test three niches this month. Filming any of them would mean testing none.
People who will not go on camera
A completely reasonable position that used to cost you the entire medium.
Multi-account operators
Five accounts, five subjects, one production process that does not scale with your face.
Agencies running client channels
Client-branded faceless output that does not depend on a client who never shows up to the shoot.
Compared
What this replaces
Six things somebody has to arrange to make one short, and who arranges them.
Input
The usual way: A script, a stock subscription and twenty minutes of searching per line.
With Veedio: A subject. Frames are generated from the lines rather than found near them.
Visuals
The usual way: Stock clips your whole niche is also using.
With Veedio: A frame per scene, generated from that scene’s line in one consistent style.
Voiceover
The usual way: Your own voice — which is not faceless, and is a room and a microphone away.
With Veedio: Five voices, none of them yours, re-recorded free when a line changes.
Captions
The usual way: Auto-captions that drift, then an hour nudging keyframes.
With Veedio: Burned in from the voice model’s own word alignment, so they land on the syllable.
Turnaround
The usual way: Days, and most of it waiting on someone else.
With Veedio: About a minute, and you watch it fill in scene by scene.
Changing it
The usual way: Re-record the line, re-cut the timeline, re-export, re-upload.
With Veedio: Edit the line and regenerate that one scene. Regenerating a scene is free.
The usual way
With Veedio
Input
A script, a stock subscription and twenty minutes of searching per line.
A subject. Frames are generated from the lines rather than found near them.
Visuals
Stock clips your whole niche is also using.
A frame per scene, generated from that scene’s line in one consistent style.
Voiceover
Your own voice — which is not faceless, and is a room and a microphone away.
Five voices, none of them yours, re-recorded free when a line changes.
Captions
Auto-captions that drift, then an hour nudging keyframes.
Burned in from the voice model’s own word alignment, so they land on the syllable.
Turnaround
Days, and most of it waiting on someone else.
About a minute, and you watch it fill in scene by scene.
Changing it
Re-record the line, re-cut the timeline, re-export, re-upload.
Edit the line and regenerate that one scene. Regenerating a scene is free.
Related tools
Same engine, different preset
Twenty more pages over the same pipeline. Each one is a different brief, a different look and a different page — and each one prints its brief the way this one does.
Only what you choose to put in, and by default that is what you typed and nothing else: no camera, no photograph of you, a synthetic voice and a generated frame per line. Two things are there if you want them — a photo you upload can be the frame the video opens on, and on Pro and Studio a presenter can speak the script to camera. The presenter is one of ours, not you, and neither is on unless you turn it on.
Can I use the same character in every scene?
No. Frames are generated independently, so a recurring person will not stay consistent between scenes. Formats that are about a subject rather than a character work well here; formats that need one face throughout do not.
Can I monetise a faceless channel made this way?
Platform rules turn on whether the content is repetitive and low-effort, not on whether AI was involved. A run of videos with the same template and a swapped noun is what gets caught. Editing the script and having something to say is the difference.
How many videos a day is realistic?
As many as your credits allow — a five-scene short costs twelve credits, and generation takes about a minute. The practical limit is how many you can bear to review properly, which is lower than the technical limit and should be.
Can I keep one look across a whole channel?
Yes. The visual style you pick is appended to every scene’s image prompt, so a run of videos in the same style reads as one channel. Keeping the voice fixed too is what completes the effect.
What about background gameplay footage?
Not supported. There is no gameplay or stock library here — every visual is generated from the script. If your format is a story over Subway Surfers, this is not the tool.
Does it write the scripts too, or do I need to?
It writes them. You give it the subject; it returns a title, five to eight scenes, the spoken line for each and the frame behind it. You can then edit any line and regenerate that scene free.
Can it run a channel unattended?
On plans with Auto-Mode. A schedule takes a subject or a feed and a cadence, and each run is told which titles it has already made so the channel does not repeat itself.
Do I have to sign up to try this?
Yes, a free one. Signup takes a moment and needs no card. Once you are signed in, the box at the top writes the script and the shot list for no credits — that is the part that decides whether the video is worth making — and rendering it into a file uses the 60 free credits the account starts with, about four videos.
What does it cost after the free credits?
Starter is $19 a month, Pro $49, Studio $149. A credit is a unit of pipeline cost rather than a video, so a five-scene short costs less than a nine-scene one, and you see the estimate before you spend anything.
Do I own the videos, and is there a watermark?
You own them, on every plan including the free credits, and there is no watermark on any plan, no resolution cap and no platform withheld. Four things do follow the plan, because they are what a video costs to make: AI motion and sound effects need Starter, a presenter avatar and the choice of video model need Pro, and a free account tops out at a minute where paid plans go to three. Everything else — every voice, every language, every caption style, every aspect ratio — is the same on all of them.