Script free with an account·render in about a minute·no watermark on any plan
Video Ad Generator
Ad variations you can actually test — a different hook and angle each time, in about a minute each.
Start free — no credit card, and the script and the shot list cost no credits.
01Name the audience and the objection. The objection is where the ad is. Everything else is a product description.
02It writes the hook first. Frustration, turn, proof, one call to action — under forty seconds by construction.
03Make five, test five. Change the objection and run it again. Creative volume is the whole point of this page.
Voice:
Josh
Captions:
Highlight
Music:
Trap
Format:
Vertical 9:16
What comes out
The settings this page ships with, and the shape they produce
Every example on this page is labelled with the exact configuration behind it, including the one that says it is a drawing.
Layout mock-up
A meal-kit for people who cook once a week and throw away…
Style: Cinematic
Voice: Josh
Captions: Highlight
Ratio: 9:16
A mock-up of the frame and caption layout at this page’s settings — TikTok, Reels and Shorts, trap music bed. It is a drawing, not a rendered video: we have no published render library to show you yet, and a stock clip dressed up as our output would be worth less than saying so.
Your input
“A meal-kit for people who cook once a week and throw away the rest — aimed at couples who both work late”
Plus this page’s brief, verbatim
Write a short video ad. Scene one is the hook: the objection or the frustration the audience already has, in their words. Then the turn, then one specific proof, then a single clear call to action. Under 40 seconds. No superlatives, no stacked features, no urgency you have not earned.
That string is not marketing copy — it is the instruction the script writer is given before it reads a word of yours, and it is the only thing separating this page from the other forty-seven.
The shape that comes back
Scene 1 — the hook
One line that works with no context, because the viewer arrived mid-scroll.
Scenes 2–6 — the body
One idea each, one or two spoken sentences, each with its own image prompt and its own duration.
Final scene — the close
A line that lands the point rather than asking for a follow.
Per scene — the shot
The exact image prompt the model would receive, with this page’s style suffix already appended.
This is the structure, not a saved example. The box at the top of the page writes the real one — with your wording, in about ten seconds, free once you sign in.
5–8 scenes
each with its own line, its own frame and its own length
Under 60s
cut to the narration, not to a fixed per-scene timer
Word-timed
captions burned from the voice model’s own alignment
1080-class
vertical, square or landscape — no watermark on any plan
01
Volume is the strategy, not polish
Performance creative is a search problem. The winning ad is usually the seventh angle rather than the best-produced one, and every hour spent polishing a single execution is an hour not spent finding the angle that works.
This preset is built for that: one brief, one variation, about a minute each. Run it five times with a different objection and you have a test rather than an opinion. The app records views, likes and comments per video, so when they go out organically the comparison is a number.
02
The hook carries the whole ad
In a feed, an ad has the same second and a half everything else has, and no credit for being an ad. The hook has to be the thing the audience already thinks — the objection, the frustration, the thing they have said out loud to someone.
Which is why this page asks for the audience and the objection rather than for a feature list. Give it those and the first line writes itself; give it a list of features and you will get a video that sounds like every other ad in the category.
03
Where the limits are
There is no product footage, no logo overlay and no end card, and the only file you can put in is one photo, as the opening frame. Scenes are generated from the script, so the ad is about the situation and the person rather than about your packaging.
That works well for services, software and anything sold on a problem. It works badly for anything sold on how the object looks — if the product is the hero shot, this is not the tool, and the honest move is to say so before you have spent a week finding out.
Who this is for
Four people this was built for
Performance marketers
Creative volume is the bottleneck and always has been. This is a lever on exactly that.
Ecommerce operators
Five angles on the same product, tested against each other rather than argued about.
Agencies
Concepts a client can watch instead of read, produced before the kickoff call ends.
Founders doing their own ads
You know the objection better than any agency does. This turns knowing it into creative.
Compared
What this replaces
Six things somebody has to arrange to make one short, and who arranges them.
Input
The usual way: A creative brief, a concept round, a shoot and three rounds of feedback.
With Veedio: An audience and an objection, typed in a box.
Visuals
The usual way: Film it, or licence stock and hope a clip matches the line.
With Veedio: A frame generated per scene from that scene's own line.
Voiceover
The usual way: Book a VO artist, or record yourself and cut the breaths out.
With Veedio: Five ElevenLabs voices, re-recorded free whenever the line changes.
Captions
The usual way: Auto-captions that drift, then an hour nudging keyframes.
With Veedio: Burned in from the voice model’s own word alignment, so they land on the syllable.
Turnaround
The usual way: Weeks per concept, which is why most accounts test three a quarter.
With Veedio: A minute per variation, which is why you can test five this afternoon.
Changing it
The usual way: A new hook means a new edit, a new export and a new approval.
With Veedio: Rewrite the hook, regenerate that scene, keep everything else.
The usual way
With Veedio
Input
A creative brief, a concept round, a shoot and three rounds of feedback.
An audience and an objection, typed in a box.
Visuals
Film it, or licence stock and hope a clip matches the line.
A frame generated per scene from that scene's own line.
Voiceover
Book a VO artist, or record yourself and cut the breaths out.
Five ElevenLabs voices, re-recorded free whenever the line changes.
Captions
Auto-captions that drift, then an hour nudging keyframes.
Burned in from the voice model’s own word alignment, so they land on the syllable.
Turnaround
Weeks per concept, which is why most accounts test three a quarter.
A minute per variation, which is why you can test five this afternoon.
Changing it
A new hook means a new edit, a new export and a new approval.
Rewrite the hook, regenerate that scene, keep everything else.
Related tools
Same engine, different preset
Twenty more pages over the same pipeline. Each one is a different brief, a different look and a different page — and each one prints its brief the way this one does.
Only in the opening frame, if you upload a photo of it in the composer. No screen is recorded and no footage goes in, so the scenes are generated from the script. Ads sold on a problem work well here; ads that need a hero shot of the object do not.
Is this good enough to run as paid creative?
As a test, often yes — the format matches what performs in-feed. As a hero brand film, no. Treat it as the tool that finds the angle, and spend real money producing the angle that wins.
How do I make variations?
Change the objection in the box and run it again. Each run is a new script with a new hook, which is what a variation actually means — not the same script with a different font.
Can it write ads for a specific platform?
Say which one in the box. The default is a 9:16 in-feed ad under forty seconds, which is the shape TikTok, Reels and Shorts all take.
Does it add a call to action?
One, at the end, spoken. There is no clickable button, no end card and no overlay — those belong to the ad platform, which is where you should set them anyway.
Will it make claims I cannot support?
It might, and in advertising that is a legal problem rather than a taste one. The full script is returned before anything renders. Read it, and cut anything you would not put in writing.
Can I use these on Meta and TikTok ads?
You own the output on every plan, with no watermark, so yes. Each platform has its own disclosure rules about AI-generated content, and those are worth checking before you scale spend.
Do I need an account to try it?
Yes, a free one, and it needs no card. The box at the top writes the ad script for no credits; turning it into a rendered file is what spends the 60 credits the account starts with.
Do I have to sign up to try this?
Yes, a free one. Signup takes a moment and needs no card. Once you are signed in, the box at the top writes the script and the shot list for no credits — that is the part that decides whether the video is worth making — and rendering it into a file uses the 60 free credits the account starts with, about four videos.
What does it cost after the free credits?
Starter is $19 a month, Pro $49, Studio $149. A credit is a unit of pipeline cost rather than a video, so a five-scene short costs less than a nine-scene one, and you see the estimate before you spend anything.
Do I own the videos, and is there a watermark?
You own them, on every plan including the free credits, and there is no watermark on any plan, no resolution cap and no platform withheld. Four things do follow the plan, because they are what a video costs to make: AI motion and sound effects need Starter, a presenter avatar and the choice of video model need Pro, and a free account tops out at a minute where paid plans go to three. Everything else — every voice, every language, every caption style, every aspect ratio — is the same on all of them.