Script free with an account·render in about a minute·no watermark on any plan
Course Promo Video Generator
Turn the course outline into a sixty-second pitch that says who it is not for.
Start free — no credit card, and the script and the shot list cost no credits.
01Say what it teaches. The outcome and the audience. Both, or the script comes back generic.
02Outcome, audience, shape. Including who it is not for, which is the line that makes the rest believable.
03Warm read, bold captions. A conversational voice with captions timed to the words, rendered in about a minute.
Voice:
Rachel
Captions:
Bold
Music:
Uplifting
Format:
Vertical 9:16
What comes out
The settings this page ships with, and the shape they produce
Every example on this page is labelled with the exact configuration behind it, including the one that says it is a drawing.
Layout mock-up
A six-week course teaching bookkeepers how to run their ow…
Style: Documentary
Voice: Rachel
Captions: Bold
Ratio: 9:16
A mock-up of the frame and caption layout at this page’s settings — TikTok, Reels and Shorts, uplifting music bed. It is a drawing, not a rendered video: we have no published render library to show you yet, and a stock clip dressed up as our output would be worth less than saying so.
Your input
“A six-week course teaching bookkeepers how to run their own practice”
Plus this page’s brief, verbatim
Write this as a course promo. Open with the outcome the student will have, stated as something they will be able to do. Scene two says who it is for and, explicitly, who it is not for. The middle scenes give the shape of the course — how long, how it is delivered, what they build. Close on the first thing they do after enrolling. No hype, no income claims, no “transform your life”.
That string is not marketing copy — it is the instruction the script writer is given before it reads a word of yours, and it is the only thing separating this page from the other forty-seven.
The shape that comes back
Scene 1 — the hook
One line that works with no context, because the viewer arrived mid-scroll.
Scenes 2–6 — the body
One idea each, one or two spoken sentences, each with its own image prompt and its own duration.
Final scene — the close
A line that lands the point rather than asking for a follow.
Per scene — the shot
The exact image prompt the model would receive, with this page’s style suffix already appended.
This is the structure, not a saved example. The box at the top of the page writes the real one — with your wording, in about ten seconds, free once you sign in.
5–8 scenes
each with its own line, its own frame and its own length
Under 60s
cut to the narration, not to a fixed per-scene timer
Word-timed
captions burned from the voice model’s own alignment
1080-class
vertical, square or landscape — no watermark on any plan
01
Saying who it is not for is the highest-converting line in the script
Every course promo says who it is for. Almost none say who it is not for, and that is the line that makes a viewer believe the rest — because a pitch that turns somebody away is a pitch that is not trying to sell to everybody.
It also does real work on refunds and completion rates. The people it turns away were the ones who would have enrolled, been disappointed and asked for their money back, and they are the most expensive customers a course has.
02
Outcomes, not modules
A module list is what the course is; an outcome is what the student gets. “Eight modules on financial statements” means nothing to the person deciding, and “you will be able to read a set of accounts and know which questions to ask” means something specific.
So the brief opens on the outcome and holds the structure back until the middle, where it functions as reassurance rather than as the pitch. That is the order every good sales page uses and the order most course videos get backwards.
03
The claims this preset will not make
No income claims, no “transform your life”, no before-and-after implied by a stock photo. Partly because they are the reason this category has the reputation it does, and partly because in several jurisdictions an unsubstantiated earnings claim in an advert is a regulatory problem rather than a taste problem.
If your course does have documented outcomes, put them in the box and the script will use them. What the model will not do is invent one, and if it slips a claim in you did not authorise, edit the line and regenerate that scene for free before you render.
Who this is for
Four people this was built for
Independent course creators
A promo without hiring anyone, which is usually the step that does not happen.
Training providers
One video per course, made from the outline you already wrote.
Coaches and consultants
A pitch that says who it is not for, which is what makes the rest credible.
Universities and CPD teams
Short promos for modules that would never get a production budget.
Compared
What this replaces
Six things somebody has to arrange to make one short, and who arranges them.
Input
The usual way: A script, a studio day, a presenter and an edit.
With Veedio: The outline. The outcome-led script comes back from it.
Visuals
The usual way: Stock footage of people looking pleased in an office.
With Veedio: Documentary-style frames generated for each line of your own pitch.
Voiceover
The usual way: Book a VO artist, or record yourself and cut the breaths out.
With Veedio: Five ElevenLabs voices, re-recorded free whenever the line changes.
Captions
The usual way: Auto-captions that drift, then an hour nudging keyframes.
With Veedio: Burned in from the voice model’s own word alignment, so they land on the syllable.
Turnaround
The usual way: Days, and most of it waiting on someone else.
With Veedio: About a minute, and you watch it fill in scene by scene.
Changing it
The usual way: Changing the price or the dates means re-recording the video.
With Veedio: Edit that line, regenerate that scene, spend nothing.
The usual way
With Veedio
Input
A script, a studio day, a presenter and an edit.
The outline. The outcome-led script comes back from it.
Visuals
Stock footage of people looking pleased in an office.
Documentary-style frames generated for each line of your own pitch.
Voiceover
Book a VO artist, or record yourself and cut the breaths out.
Five ElevenLabs voices, re-recorded free whenever the line changes.
Captions
Auto-captions that drift, then an hour nudging keyframes.
Burned in from the voice model’s own word alignment, so they land on the syllable.
Turnaround
Days, and most of it waiting on someone else.
About a minute, and you watch it fill in scene by scene.
Changing it
Changing the price or the dates means re-recording the video.
Edit that line, regenerate that scene, spend nothing.
Related tools
Same engine, different preset
Twenty more pages over the same pipeline. Each one is a different brief, a different look and a different page — and each one prints its brief the way this one does.
No. The brief forbids income claims and transformation language, partly for taste and partly because unsubstantiated earnings claims in an advert are a regulatory problem in several countries.
Can it use my real outcome data?
Yes — put it in the box and the script will use it. It will not invent one, and if a claim you did not authorise appears, edit that line and regenerate the scene for free.
Can the instructor be on camera?
Not as themselves: no video or audio goes in, a photo of them could only open the video, and the presenter avatar on Pro and Studio is a stock face rather than theirs. Every scene is generated. For a course where the instructor is the draw, that is a real limitation.
How long is it?
Under a minute, six or seven scenes. Long enough for an outcome, an audience and a structure; short enough for a paid placement.
Can I make one per module?
Yes, and it works well — run the tool once per module outline and keep the voice, style and captions fixed so the set reads as one course.
Is the script free to try?
Yes, with a free account and no card. Rendering it uses credits, and signup includes 60 of them.
Do I have to sign up to try this?
Yes, a free one. Signup takes a moment and needs no card. Once you are signed in, the box at the top writes the script and the shot list for no credits — that is the part that decides whether the video is worth making — and rendering it into a file uses the 60 free credits the account starts with, about four videos.
What does it cost after the free credits?
Starter is $19 a month, Pro $49, Studio $149. A credit is a unit of pipeline cost rather than a video, so a five-scene short costs less than a nine-scene one, and you see the estimate before you spend anything.
Do I own the videos, and is there a watermark?
You own them, on every plan including the free credits, and there is no watermark on any plan, no resolution cap and no platform withheld. Four things do follow the plan, because they are what a video costs to make: AI motion and sound effects need Starter, a presenter avatar and the choice of video model need Pro, and a free account tops out at a minute where paid plans go to three. Everything else — every voice, every language, every caption style, every aspect ratio — is the same on all of them.